Henry King, director of State Fair, and star Will Rogers are
little remembered today, though Rogers was one of the top box-office draws in
the early 30’s (he died in a plane crash in 1935) and King made movies from
1916 to 1962. King’s State Fair was
eclipsed by two musical versions that followed later (1945 and 1962) and even
Rogers’s best films (Steamboat ‘Round the Bend, Judge Priest, Dr. Bull; all
directed by John Ford) are considered marred by the presence of Stepin Fetchit,
whose complex trickster character has only begun to be appreciated by scholars
(the public is far behind).
State Fair is a detailed character study of a farming
family, with its pickles and prize pig, at the state fair, where the older
children find love and lose it and Mom and Dad win blue ribbons. Hal Mohr’s cinematography matches studio and
location work quite nicely. The children
(Janet Gaynor and Norman Foster) want to stay loyal to their parents (Will
Rogers and Louise Dresser) and their rural world but also long to leave and
spread their wings with lovers they meet at the fair, the love affairs being
relatively explicit in this era before the production code clamped down on such
details. This was a time when Americans were
leaving farms for jobs in the cities and the kids hear the siren call of the
city while the older generation raises better pigs and improves their recipes
and directors such as King began to move away from such charming and folksy stories
of rural live to costume and period films.
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