The choreography was by Vicky Simegatos and her daughter Matina Simegiatos and was impressively danced by the amateur company. The children were well-rehearsed and demonstrated a keen enthusiasm as mice, soldiers and angels; Madison Pender was a charming Clara and Athan Sporek an assertive Nutracker Prince. Ask la Cour and Teresa Reichlen, from NYC Ballet, were the Sugar Plum Fairy and Her Cavalier, which --for better or worse--made clear how different Balanchine's production is from the one we were seeing, if only the elegant complexity of their pas de deux. Simegiatos, like Balanchine, uses the original libretto by Petipa and Ivanov from 1892 but very intelligently keeps the choreography much simpler for the amateur dancers, who communicated the pleasure of dancing to Tchaikovsky's necessarily taped score.
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