Nov. 3 has Hitchcock’s Jamaica Inn (1939) and the original
The Man Who Knew Too Much (1934) as well as Arthur Penn’s very 70’s Night Moves
(1975) and Preston Sturges’s cynical political film The Great McGinty (1940)
On the 5th is Sergio Leone’s Il Buono, Il Brutto,
Il Cattivo (The Good, The Bad and The Ugly 1968) with its evocative Ennio
Morricone score.
On the 6th is Rudolph Mate’s fatalistic and
fascinating film noir D.O.A. (1950)
The 7th has Otto Preminger’s great film about
American politics Advise and Consent (1962) and Hitchcock’s Saboteur (1942).
On the 8th is Chaplin’s late reflective and
moving Limelight (1952) and Anthony Mann’s period film noir The Black Book
(1949).
The 9th has Chaplin’s first feature, the sad and
funny The Kid (1921) and Leo McCarey’s lovely comedy/soap-opera Love Affair
(1939)
On the 10th is Mervyn LeRoy’s uncompromising film
about a lynching They Won’t Forget (1937) and Jame Whale’s impressive The Invisible
Man (1933)
The 11th had King Vidor’s beautiful film about
culture clash The Bird of Paradise (1932) and John Ford’s The Searchers (1956),
his greatest Western.
On the 12th is Whale’s The Bride of Frankenstein
(1935) and the 13th has Richard Fleischer’s taut thriller The Narrow
Margin (1952).
On the 14th is an important early documentary by
Robert Flaherty Nanook of the North (1922) and on the 15th is Howard
Hawks’s intense Western Rio Bravo (1959).
On the 17th is Raoul Walsh’s Sea Devils (1955)
and on the 19th is Blake Edwards’s tribute to slapstick The Great
Race (1965).
On the 25th are several films with Ginger Rogers
and Fred Astaire, my favorite being Shall We Dance (1937), with music by the
Gershwins.
And on the 29th are a number of films by
Hitchcock. I recommend all of Hitchcock’s
films, as well as those showing in Nov. by Lubitsch, Hawks, John Ford and
Preston Sturges.
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